\u0026quot;Sweet Violet\u0026quot; ~ French rococostyle, original painting with handsculpted ornamental gold leaf | This French Rococo Furniture, In the article that you read this time with the title \u0026quot;Sweet Violet\u0026quot; ~ French rococostyle, original painting with handsculpted ornamental gold leaf, we have prepared this article well for you to read and take information in it. We hope this post will be useful \u0026quot;Sweet Violet\u0026quot; ~ French rococostyle, original painting with handsculpted ornamental gold leaf and we write this you can understand. alright, happy reading.

Title : \u0026quot;Sweet Violet\u0026quot; ~ French rococostyle, original painting with handsculpted ornamental gold leaf
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\u0026quot;Sweet Violet\u0026quot; ~ French rococostyle, original painting with handsculpted ornamental gold leaf

The Rocaille style, or French Rococo, appeared in Paris during the reign Louis XV, and flourished amid just about 1723 and 1759.[16] The style was used particularly in salons, a further style of room intended to impress and keep amused guests. The most prominent example was the salon of the Princess in Htel de Soubise in Paris, designed by Germain Boffrand and Charles-Joseph Natoire (173540). The characteristics of French Rococo included exceptional artistry, especially in the obscure frames made for mirrors and paintings, which sculpted in plaster and often gilded; and the use of vegetal forms (vines, leaves, flowers) intertwined in mysterious designs.[17] The furniture with featured sinuous curves and vegetal designs. The leading furniture designers and craftsmen in the style included Juste-Aurele Meissonier, Charles Cressent, and Nicolas Pineau.[18][19]The Rocaille style lasted in France until the mid-18th century, and while it became more curving and vegetal, it never achieved the extravagant exuberance of the Rococo in Bavaria, Austria and Italy. The discoveries of Roman antiquities start in 1738 at Herculanum and especially at Pompeii in 1748 turned French architecture in the admin of the more symmetrical and less flamboyant neo-classicism.

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