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The Rocaille style, or French Rococo, appeared in Paris during the reign Louis XV, and flourished with not quite 1723 and 1759.[16] The style was used particularly in salons, a supplementary style of room intended to impress and absorb guests. The most prominent example was the salon of the Princess in Htel de Soubise in Paris, expected by Germain Boffrand and Charles-Joseph Natoire (173540). The characteristics of French Rococo included exceptional artistry, especially in the profound frames made for mirrors and paintings, which sculpted in plaster and often gilded; and the use of vegetal forms (vines, leaves, flowers) intertwined in rarefied designs.[17] The furniture afterward featured sinuous curves and vegetal designs. The leading furniture designers and craftsmen in the style included Juste-Aurele Meissonier, Charles Cressent, and Nicolas Pineau.[18][19]The Rocaille style lasted in France until the mid-18th century, and while it became more curving and vegetal, it never achieved the extravagant exuberance of the Rococo in Bavaria, Austria and Italy. The discoveries of Roman antiquities beginning in 1738 at Herculanum and especially at Pompeii in 1748 turned French architecture in the supervision of the more symmetrical and less flamboyant neo-classicism.

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